Thursday, February 12, 2015

Downton Abbey Revisited, Season III

Lady Edith
Season III begins in 1920. Downton Abbey has weathered the war, Lady Mary and Matthew Crawley are finally planning their wedding, and Cora's mother, Martha Levinson (badly played by Shirley McClaine) invades the Grand House. The darker themes of this series continue after the death of Lady Cybil: Bates is in prison unjustly accused of murdering his wife, Lady Grantham blames Lord Grantham partly for Cybil's death, and there are concerns for the financial survival of this great Manor.


On a brighter side, Mary and Matthew have a gorgeous wedding, and we see Lady Edith evolve into a smart, beautiful, forward-thinking woman. It's clear in this season, that she, along with her counterpart downstairs, Daisy Mason, is one of the most interesting characters.
As always, costuming is key to this period drama. Although the wonderful Dowager Countess of Grantham clings to her Edwardian wardrobe, the other members of the upstairs family embrace the fresh new looks of 1920.
Dowager Countess Violet (Granny) of Grantham
Young Cousin Rose jumps into the Jazz Age with a zest that is influenced by music, Hollywood celebrities like Lillian Gish, Mary Pickford, Charlie Chaplin, Buster Keaton, and all the other stars of the period.
Although skirts hadn't shortened to the knee as they would later in the decade, 1920 truly released the underpinnings of dress and women moved freely, as suffragettes in Europe and the States pushed for the vote, better work environments, and birth control.
 
 
Art Deco was definitely making its appearance in architecture, interiors, and graphic design. Cubism added its own streamlined aesthetic to design as well.
Wedding dresses reflected the new age, and both Ladies Edith and Mary carried the simplicity beautifully.
Although, once again, Season III ends on an incredibly sad note, we see resolutions of Downstairs stories, and we see Lady Edith fall in love, a portent of the strong, independent future for her.
 
 
 
 



Wednesday, February 4, 2015

The Art in Artichoke

Food has been used in art throughout history. Images of food items have been found in artifacts all over the world. As any cook knows, a meal prepared from scratch is a creative activity that can be elevated to a work of art visually and in taste. No wonder creative people tend to be great cooks as well! Organic ingredients (as opposed to engineered or processed prepared food) have a beauty that no human can replicate. An heirloom tomato can be a gnarly misshapen orb, but like an unusual face, has its own visual interest.....and then there's the taste.
From Better Homes and Gardens
The Dutch and Flemish Renaissance masters took food paintings to a new level. Still Life painting reached its apex in the 16th century when the accoutrements of wealth became more fashionable, and that included a richly conceived arrangement of food and wine.


Today, with a vast abundance of (and healthier!) ingredients, chefs have made "presentation" an art form that should match, but not out-weigh taste. Contrasts in color, shape, texture, and size of ingredients make a glorious collage before one bite. That's the fun of eating in a great restaurant: ambience along with the combination of beautiful presentation and explosion of flavors. Enjoying this alone or with good company....what could be better?




29 Casseroles


Scalloped potatoes partnered with canned-salmon loaf in their matching Pyrex dishes.
Opaque, gelatinous tomato aspic sat beside the crusted silent mound of macaroni and cheese.

Every entrée had it corresponding side-dish.
Exotic and foreign Italian Delight shared a plate with Iceberg lettuce salad and Italian dressing.

Sunday’s magnificent roast took center stage at the card table in front of Walter Cronkite’s The 20th Century.

The white glass cookie jar with generic floral design was never without its chocolate chip, oatmeal, or icebox kin fresh from the oven.
Flaky Crisco crusts embraced apples, coconut, chocolate and banana cream, pumpkin, and the detested rhubarb.

Avocados and enchiladas were introduced on the patio to endless friends and relatives making the sojourn to Disneyland.

Soups made from humble legumes, summer and winter vegetables, were Saturday lunch, accompanied by their obligatory saltines and Wheat Thins topped by the odd duo of cheddar cheese and kippered herring.

Tuesday’s hash took up the slack of roast, potatoes and gravy.
Highbrow, 16-ingredient Chicken Gertrude made its appearance at the Ladies Lunch.

How many recipes made the cut into Hits of the Mrs. P.T.A. Cookbook and The Woman’s Club Our Treasured Recipes?



Cynthia L. Cavanaugh 11/10


And now.....The Reggie Life

Now, here's my pal, Birdy, who lives far away in a place called California. We haven't met, but I'm already in love with her. She has a really cool toy called the Orange Alien, that I don't have and now I want one. Birdy's a little older than me, but I like older girls....I just like girls.


Monday, January 26, 2015

Downton Abbey Revisited, Season II

Season II of Downton Abbey spanned the period of Fall 1916 to Spring 1917....in the middle of World War I. The Crawley ladies were immersed in the war effort and Downton itself was converted to a hospital unit. Their day-wear reflected the simpler, efficient, movable silhouettes with hemlines well above the ankle. Suits continued to be embraced by women of all classes.  

Wikipedia says about the period: "Changes dress during World War I were dictated more by necessity than fashion. As more and more women were forced to work, they demanded clothes that were better suited to their new activities; these derived from the shirtwaists and tailored suits. Social events were postponed in favor of more pressing engagements and the need to mourn the increasing numbers of dead, visits to the wounded, and the general gravity of the time meant that darker colors and simpler cuts became the norm.[1] A new monochrome look emerged that was unfamiliar to young women in comfortable circumstances. Women dropped the cumbersome underskirts from their tunic-and-skirt ensembles, simplifying dress and shortening skirts in one step.[2] By 1915, the Gazette du Bon Ton was showing full skirts with hemlines at calf length. These were called the "war crinoline" by the fashion press, who promoted the style as "patriotic" and "practical".[3]
Isobel Crawley
Even when not laboring in the war effort, upper class daytime fashion was still simpler with less embellishment. Again from Wikipedia:
 
"Furthermore people were dressing less extravagantly due to funds being put toward the war effort. According to Eileen Collard, Coco Chanel took notice of this and introduced costume jewelry. She replaced expensive necklaces with glass or crystal beads. "Without grading them to size, she mixed pearls with other beads to fashion original jewelry to be worn with her designs" that were inspired by women joining the workforce."

Lady Mary Crawley and Matthew Crawley
Robert & Cora Crawley, the Earl & Countess of Grantham
with key members of their staff


Lady Mary Crawley
And lest we forget the men when they weren't in uniform:
"By 1915 the effects of WWI on men's style became obvious.  Jackets were advertised as featuring the"military high-wasited effect".  This style echoed the serviceman's uniform and was particularly popular with those returning home.  These men sought a comfortable suit similar to those donned while in the war.  The high starched collar gave way to the soft collar and high button shoes were replaced by oxfords."
 
The men of Downton Abbey, both upstairs and downstairs, spent most of Season II in military uniform.
In spite of war shortages and an emphasis on the practical, 1916 and 1917 still offered beautiful examples of fabric and construction. Evening wear among the wealthy still revealed a level of luxe, and the Orientalism that had been such a part of headwear, still made its appearance as the elegant band.
Matthew Crawley's fiancé, Lavinia
Lanvin 1917
Callot Soeurs Winter 1916-1917
So, even during a national war effort, the ladies of this period were able to remain stylish, whether by couture, hand-made, or ready-to-wear.                 
Irene Castle

And now, The Reggie Life....
 
 
 

Here's a video of me with one of my squeaky toys that was once a part of some poor toy that I destroyed. 
 

Thursday, January 15, 2015

Downton Abbey Revisited, Season I

Jeanne Lanvin 1912
 Downton Abbey is now in its 5th season. In addition to story lines, one of the big draws to this seminal series is the set and costume design. It's time to revisit all the seasons for their costumes and inspiration.

Season I started in 1912 at the end of the Edwardian era, including the sinking of the Titanic, up to the start of World War I. Among the "upstairs" Crawley family, the women wear beautiful examples of this period, which was still ruled by French fashion. During this time, women, even in the wealthy and/or titled classes, began to move into the modern world and wear practical clothes in which they could move easily.
Robe du Soir Beer 1912
Ladies Sybil, Mary, and Edith Crawley
Day clothes were still very feminine and tea gowns with high waists ruled the day. Hats continued to be a part of every ensemble. Edwardian huge, and covered with artificial flowers and real bird feathers (sometimes the entire bird!), chapeaus began to reduce in size and move closer to the cloche style of the 1920's. Hair was still long and pulled up into soft chignons.
Jeanne Paquin 1912
Paul Poiret 1912
"Dressing for Dinner" was obligatory, and tuxedos and formal dresses were required for at-home family dining.
Lady Mary and Robert Crawley, Earl of Grantham
"Orientalism" was all the rage in fashion and interiors. Paul Poiret created "harem pants" matched with turbans, headbands, and feathers that enhanced the exotica. Lady Sybil shocked her family when she appeared in the daring style for dinner.
Lady Sybil Crawley
World War I brought even wealthy women out of the drawing rooms and into the war effort and workforce. Daywear became more practical and comfortable, progressing out of corsets and into bras, skirts continued to rise above the ankle, and easy blouses and skirts took over for lacy, frilly frocks. Although the "hobble skirt" was popular, pleats were added for a more relaxed look and walk. The suit took on a new importance with women moving into office positions.
 
 
Matthew Crawley and Lady Edith Crawley
By 1914, comfort and drape became more important. Madeleine Vionnet, started her house in 1912 and was known in the 30's for her use of diagonal draping. Women, in attitude and dress, were moving into the modern era!
Madeleine Vionnet 1914